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Click on a spot on the ground to move there.
Use Left Shift to lower the camera. Use Space to raise it.
web-based 3D installation by Mathias Hanin and Studio PESC
Understanding and perceiving the second-by-second rhythm in another dimension is the intention of the artist Mathias Hanin. In his performance "Life-Time," which pushes the boundaries of physical endurance, he embodies a human clock for a total of 12 hours, becoming time itself. The digital artwork "life-time - an organic humanoid measurement of time" takes this concept to a completely new three-dimensional level in collaboration with the visual and digital artist Peter Schönhardt (PESC).
In a fascinating combination of different disciplines, a virtual 3D installation emerges, offering a profound experience of the unexpected. The collaboration between Peter Schönhardt from STUDIO PESC and Matthias Hanin creates an artwork that transcends the conventional boundaries of space and time. At the center of the installation floats an organic sculpture, fluid in appearance, filling the space with its presence. Through the projection of Matthias Hanin's performance "Lebenszeit" (Lifetime) in various sizes onto the sculpture, an impressive visual representation is created. Serving as a kind of living clock, it displays the current time regardless of the viewer's geographic location. In this way, the concept of spacetime is embodied, illustrat- ing the connection between the individual and the universe. The sculpture is surrounded by concentric circles of seats, forming different pathways reminiscent of the four cardinal directions. This arrangement invites contemplation of the phenomena of spacetime, the theory of relativity, and the mysterious nature of black holes. While the inner rows of seats appear distorted and curved, this distortion diminish- es towards the outer rows. This visual depiction plays with our perception, revealing the complex relationship between space, time, and human experience. Matthias Hanin's performance "Lebenszeit" takes center stage in this installation. Over a period of twelve hours, Hanin embodies a human clock hand moving on a sand-like surface. This performance explores the concept of "being-in-the-world" and questions the tangible existence of time. Hanin focuses on the connection between the physical and metaphysical self. Through deliberately restrained movements, he creates a profound emotional presence. This extraordinary virtual installation impressively combines art and science, offering viewers an experience beyond the familiar. It invites philosophical reflections on space, time, and the nature of human existence. By merging visual art, performance, and virtual reality, it creates a work that expands our notions of space and time, transporting viewers into a transcendent dimension.
Touch the lower area of your screen to operate the joystick. Touch the edge of the lower area to strafe.
Touch the upper area of your screen to rotate.
web-based 3D installation by Mathias Hanin and Studio PESC
Understanding and perceiving the second-by-second rhythm in another dimension is the intention of the artist Mathias Hanin. In his performance "Life-Time," which pushes the boundaries of physical endurance, he embodies a human clock for a total of 12 hours, becoming time itself. The digital artwork "life-time - an organic humanoid measurement of time" takes this concept to a completely new three-dimensional level in collaboration with the visual and digital artist Peter Schönhardt (PESC).
In a fascinating combination of different disciplines, a virtual 3D installation emerges, offering a profound experience of the unexpected. The collaboration between Peter Schönhardt from STUDIO PESC and Matthias Hanin creates an artwork that transcends the conventional boundaries of space and time. At the center of the installation floats an organic sculpture, fluid in appearance, filling the space with its presence. Through the projection of Matthias Hanin's performance "Lebenszeit" (Lifetime) in various sizes onto the sculpture, an impressive visual representation is created. Serving as a kind of living clock, it displays the current time regardless of the viewer's geographic location. In this way, the concept of spacetime is embodied, illustrat- ing the connection between the individual and the universe. The sculpture is surrounded by concentric circles of seats, forming different pathways reminiscent of the four cardinal directions. This arrangement invites contemplation of the phenomena of spacetime, the theory of relativity, and the mysterious nature of black holes. While the inner rows of seats appear distorted and curved, this distortion diminish- es towards the outer rows. This visual depiction plays with our perception, revealing the complex relationship between space, time, and human experience. Matthias Hanin's performance "Lebenszeit" takes center stage in this installation. Over a period of twelve hours, Hanin embodies a human clock hand moving on a sand-like surface. This performance explores the concept of "being-in-the-world" and questions the tangible existence of time. Hanin focuses on the connection between the physical and metaphysical self. Through deliberately restrained movements, he creates a profound emotional presence. This extraordinary virtual installation impressively combines art and science, offering viewers an experience beyond the familiar. It invites philosophical reflections on space, time, and the nature of human existence. By merging visual art, performance, and virtual reality, it creates a work that expands our notions of space and time, transporting viewers into a transcendent dimension.
web-based 3D installation by Mathias Hanin and Studio PESC
Understanding and perceiving the second-by-second rhythm in another dimension is the intention of the artist Mathias Hanin. In his performance "Life-Time," which pushes the boundaries of physical endurance, he embodies a human clock for a total of 12 hours, becoming time itself. The digital artwork "life-time - an organic humanoid measurement of time" takes this concept to a completely new three-dimensional level in collaboration with the visual and digital artist Peter Schönhardt (PESC).
In a fascinating combination of different disciplines, a virtual 3D installation emerges, offering a profound experience of the unexpected. The collaboration between Peter Schönhardt from STUDIO PESC and Matthias Hanin creates an artwork that transcends the conventional boundaries of space and time. At the center of the installation floats an organic sculpture, fluid in appearance, filling the space with its presence. Through the projection of Matthias Hanin's performance "Lebenszeit" (Lifetime) in various sizes onto the sculpture, an impressive visual representation is created. Serving as a kind of living clock, it displays the current time regardless of the viewer's geographic location. In this way, the concept of spacetime is embodied, illustrat- ing the connection between the individual and the universe. The sculpture is surrounded by concentric circles of seats, forming different pathways reminiscent of the four cardinal directions. This arrangement invites contemplation of the phenomena of spacetime, the theory of relativity, and the mysterious nature of black holes. While the inner rows of seats appear distorted and curved, this distortion diminish- es towards the outer rows. This visual depiction plays with our perception, revealing the complex relationship between space, time, and human experience. Matthias Hanin's performance "Lebenszeit" takes center stage in this installation. Over a period of twelve hours, Hanin embodies a human clock hand moving on a sand-like surface. This performance explores the concept of "being-in-the-world" and questions the tangible existence of time. Hanin focuses on the connection between the physical and metaphysical self. Through deliberately restrained movements, he creates a profound emotional presence. This extraordinary virtual installation impressively combines art and science, offering viewers an experience beyond the familiar. It invites philosophical reflections on space, time, and the nature of human existence. By merging visual art, performance, and virtual reality, it creates a work that expands our notions of space and time, transporting viewers into a transcendent dimension.
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